暂无剧情简介

Dakar, a few days before the feast of Tabaski, a painter is shut away in his studio, working on the theme of the ritual sacrifice of the ram. Sketches are hung on clotheslines to dry. The red paint drips from the drawings like fresh blood. An inscription on the wall: 'Tabaski, who's next?'. Three characters and a sheep revolve around him and reconnect him with reality. This hybrid movie, blending fiction, performance and history, is freely inspired by the painter Iba Ndiaye (1928- 2008) and his work entitled 'Tabaski'. 'Painting is remembering', he said.

「歌墟」是壮族地区的山歌集会，曾经广为盛行。它通常围绕宗祠或竜树进行，其间，男女相约而至，即兴作词，你来我往，对唱万物。 　　传递的山歌开启了一次迁徙。摄影机沿途抵达了不同的歌者与集会，流转于乡土与城镇，寻找着歌墟散逸的踪迹。

沧海成尘，雷电枯竭，那一缕幽雾又一次临近大地，世间的枷锁再次开启，一个全新的世界就此揭开神秘的一角……

讲述1940年8.19号日本对重庆进行大轰炸，一名军人因此牺牲了，他的妻子无法接受丈夫战死的噩耗，幻想起丈夫离家前的场景。

沧海成尘，雷电枯竭 那一缕幽雾又一次临近大地 世间的枷锁再次开启 一个全新的世界就此揭开神秘的一角……

Gary Gulman offers candid reflections on his struggles with depression through stand-up and short documentary interludes that provide insight into his mental health journey.

One of the world's most legendary pianists reveals new aspects of his life and music in this pair of compelling films. In "Off the Record," Gould revels in his freedom from the public at his college retreat near Lake Simcoe, Ontario, and plays for an audience of one: his collie. In "On the Record," Gould arrives in New York for a recording session, joking and bantering as he reveals his role as a vigorous, sensitive, and critical creator and interpreter of music.

胡八一和王胖子已摘下摸金符、本打算和Shirley杨出国，这时却受陈教授所托，与曾做过老海狼的明叔一起，远赴南海珊瑚螺旋寻找失落已久的国宝——秦王照骨镜。他们在珊瑚庙岛买下一艘设施强大却无人敢用的“鬼船”三叉戟号，并结识了疍民阮黑、古猜、多玲师徒三人，共同出海。 一行人在经历了种种海上奇观及大战幽灵船之后，终于进入神秘凶险的珊瑚螺旋海域。几番下水探寻后，胡八一大致确定载有“秦王照骨镜”的沉船位置。但此时恰逢月圆，海底阴火重燃，归墟海眼打开，将他们吸入奇异的归墟海洞之中。 归墟犹如一个神奇的“海下之海”，像一个巨大的透明气泡般将上层海水隔绝在外。大家虽死里逃生，但又不知如何能回到海面。绝望之际，他们发现恨天国一族留下的巨型射日楗木。胡八一和Shirley杨决定利用楗木机关拼死一搏，带众人逃出归墟，重返珊瑚庙岛。